The percussion is serviceable, although I would have liked some groovier open-hat hits in there from 0:22-0:57. "Right off the bat I’m feeling this one - I love these slow, pulsating synthwave tracks, and you’ve got the feel for that down. New judge DarkSim agreed with some of the critics that the arrangement ended up feeling a tad short/incomplete, but focused more on the positives: Gario had a valid point on the repetition of the melody from 1:54-2:39, sure, but it wasn't long overall and that part was really a brand new rhythmic idea after everything prior to it really, the offending repetition was only from 2:16-2:39 some doubling/chorusing of the lead there and/or varying the beats more from 1:30-on would have been a subtle way to differentiate from the first iteration at 1:54, but it was brief, the repetitive section was already meaningfully interpretive, and it's a nitpick." I'd even argue that the areas referencing the "on Yoshi" drums aspect of the source aren't even copying those patterns, so it's like getting wholly original writing inspired by the Yoshi drums. prophetik laid out a lot of the interpretive aspects of the piece that really shouldn't be undersold this is a different genre, lots of additive writing including original countermelodies. Good stuff judges did disagree a bit, with some feeling it was a hair too short/repetitive over its three minute duration, but most giving Martin the nod for an engaging adaptation that delivers a chill first half and then a more pulsing drive afterwards. I hope you like it! I'm happy how it turned out.
This is the underground theme from Super Mario World on SNES but in a very unique setup and arrangement. Since this summer (2020), I've produced many arrangements from a variety of games, especially from the SNES.Īn originally simple song which gave me free hands experimenting with it. All sounds are self-produced or original synthezisers modified directly in Reason.ĭuring the ongoing worldwide pandemic, I was drawn to music production and wanted to brand myself as a synthwave producer with strong links to the video game music universe. " Arranged by ear in Reason Studio version 5 using only PC mouse, no external/physical instrument were used.
Newcomer Neon X (Martin Höglund) brings us a unique chill-but-energetic synthwave take on Super Mario World's "Underground BGM," jumping into a more active, double-time pace at the midpoint:
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